Stage tiny piano professional#

Microphone Techniques вЂ“ Recording Upright Piano You could even use automation to have a slightly narrower piano during the verses and then a wider piano during the choruses вЂ“ a little production tip that can help to give a chorus more impact. Raising the level of the side microphone will widen the stereo image, giving you great control of the stereo width during the mixing stage. You can also use the M/S techniqueВ to great effect if youвЂ™re recording piano at home. The XY technique can be seen on the left, with the AB technique above. It's always worth trying a few different positions out before committing to your choice - grand pianos are big instruments, so it's natural that there may be different 'sweet spots' around the piano that will give you a nicer tone. ItвЂ™s pretty unlikely that youвЂ™ll have a grand piano as a home studio owner (uprights and digital pianos will be more common), which is why IвЂ™m going to keep it simple.Д«asic stereo mic techniques, like AB or XY, can easily be used. There are lots of different ways to record piano, and each technique will produce its own kind of tone.

It cuts down on unwanted ambience from the room, and you can then add reverb during mixing to help blend the piano with the other instruments in your production. Home studios are usually restricted in the space available, which makes a piano perfect for close micing.

The mic used for the lower notes is usually panned to the left and the mic for higher notes panned to the right, reflecting how a pianist would hear the instrument when playing. Recording piano in stereo mirrors our real-world experience of listening to a piano, as it allows you to pan one mic to the left and one to the right вЂ“ the amount of pan you use will control how wide the stereo image is. Recording in mono is definitely the easiest choice, but the sound can be narrow and a bit flat вЂ“ it wonвЂ™t reflect the real way that we hear the instrument (in stereo), with the lower frequencies panned to one side and the higher frequencies panned to the other side. Recording in mono with one mic or in stereo with two mics are both good options for recording piano. A few things to keep in mind when you recording piano are: If youвЂ™re unable to use a real piano in your own studio (and IвЂ™d predict that most home studio owners are in this position), or if your room acoustics cause too many issues, there are a couple of alternatives:ДЄ high-quality ROMpler, such as Akoustik Piano from Native InstrumentsДЄs with any instrument, the microphones you use and where you place them can have a big impact on the recorded sound. Noise from the pianoвЂ™s pedals can also be an issue вЂ“ WD-40 can usually sort this out though. It goes without saying that if you want a quality recording, the piano has to be in tune.Д«efore recording begins, itвЂ™s worth checking that the pianistвЂ™s seat doesnвЂ™t squeak or make any unwanted noises as it will be easily picked up by the microphones.

Stage tiny piano professional#

But uprights weren't really designed with recording in mind (they were mainly built for use in the home), so capturing a nice tone can be just as difficult.ДЄ piano will go out of tune at some point, and the only way around it is to get a professional piano tuner to re-tune it. Upright pianos are similar to grand pianos in that the whole of the instrument's body emits sound when the piano is played. The size of the instrument means that there's a lot going on acoustically - different parts of the instrument will resonate with different frequencies, so your microphone placement can have a big impact on the sound of the recording. Grand pianos are usually recorded in large live rooms in commercial studios. There are two main types of acoustic piano: It makes the positioning of your microphonesvery important to get right. Sound waves emerge from all over a piano, and different parts of the instrumentвЂ™s wooden body resonate at different frequencies. One of the reasons for the difficulty in recording piano is due to the sound being produced by the whole body of the instrument. Sticking to a few core techniques can help you capture solid recordings and record the take you want. So my goal is always to keep things as simple as possible when it comes to recording a piano. Different microphone positions and techniques can produce wildly different results, and the recording environment can have a large effect on the sound as well. Recording piano can be one of the trickier things to get right in the studio.